Fans have also noticed the shift. Many viewers complain that seasonal anime schedules are filled with too many similar isekai or fantasy series, while fresh, original ideas appear less often. Although there are still standout works, the saturation makes it harder for unique titles to get noticed. The founder fears that if this continues, audiences themselves may lose interest in anime over time because the sense of surprise and discovery will fade.
At the same time, he acknowledged the difficulties studios face. Producing anime is expensive, and financial risks can easily threaten smaller companies. Adapting known titles offers a level of security that original works cannot. He admitted that finding the right balance is not easy, but he emphasized that ignoring originality entirely would be a mistake. For him, protecting the spirit of creativity is just as important as financial stability.
Reactions to his comments have been strong across anime communities. Many fans praised his honesty, agreeing that anime today sometimes feels repetitive. They pointed out that some of the industry’s greatest works came from creators who dared to be different, and they worry that current conditions do not encourage that kind of boldness.
On the other hand, some fans argued that adaptations are not inherently bad and that many beloved series also came from manga or novels. For them, the problem is not adaptations themselves but the lack of variety in what gets adapted.